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PARS HOTEL

هتل پارس اصفهانAs one of the oldest and most established hotel Pars Hotel of Isfahan, which in 1330 started its activities in the tourism industry over the decades and newspapers were honored several times during its activities in the past. This hotel has several the closest distance to the religious and historical sites and monuments and shopping centers is interesting.

Isfahan Monuments

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ALI QAPU PALACE

ALI QAPU PALACE

The Ali Qapu palace was built by order of King Abbas in th...

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CHEHEL SOTOUN PALACE

CHEHEL SOTOUN PALACE

It is of historical monuments of Isfahan in Iran. The constr...

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SIOSEH-POL BRIDGE

SIOSEH-POL BRIDGE

The Siose-Pol bridge, also called the Allah-Verdi Khan bri...

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KHAJU BRIDGE

KHAJU BRIDGE

This bridge also is called "Kingi Bridge", "Baba Roknodin"...

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MENARJONBAN

MENARJONBAN

In Iran, there are some minarets which have the ability to...

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HASHT BEHESHT PALACE

HASHT BEHESHT PALACE

Hasht Behesht Palace is one of the historical buildings in...

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HASHT BEHESHT PALACE

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Hasht Behesht Palace is one of the historical buildings in Isfahan built during the rule of Safavids. It is the only palace, among all beautiful palaces and pergolas (kolah-farangih), left across the Chahar Bagh Street in this period.
The central part of the palace was built as four platforms; and its porch is on the north side. The ceiling above the four platforms are covered by colorful and well-designed plaster muqarnas. The rooms in the first floor have decorations of stucco and painting in every corner. In the second floor of the palace, there are some series of rooms and porches and arches and windows which add to its beauty. This floor is divided into several hallways and rooms that each have special decorations. In some of them, there is a water pool; and in some other, there is wall heaters. All the walls are covered by mirrors. All the roofs are covered by beautiful mosaics; and they are surrounded by corridors and very beautiful passageways. The important thing in this palace is the connection among different parts and places. This connection caused the palace to have the notable unity of decoration in spite of the diversity and multiplicity of the space.

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